VIA:  SmokeyRobinson.Com

The dictionary defines the popular term “comfort food” as “food prepared in a traditional style having a usually nostalgic or sentimental appeal.” It has been known to have a buffering effect as it soothes the soul and spurs memories of more “comforting” times. If that concept holds up in the kitchen, then it makes perfect sense that it should hold true in the living room with its aural equivalent. While it’s already a known fact that popular songs often connect with listeners in a highly personal way, often recalled alongside life’s more personal moments, only a few distinctive voices in popular music can achieve that same effect with instantaneous familiarity. With his eternally smooth and instantly recognizable falsetto alone – without the strings, bass, guitar or drums – legendary singer/songwriter/producer SMOKEY ROBINSON’s honey-coated voice absolutely is the audio equivalent of comfort food…comfort food for the soul…with soul. In following with the aforementioned definition, the Motown legend’s forthcoming ROBSO Records CD, Time Flies When You’re Having Fun has certainly been “prepared in a traditional style,” while that oh-so-familiar, highly identifiable crooning has an indisputable “nostalgic or sentimental appeal.”

Indeed, the “traditional” element of Time Flies When You’re Having Fun had already been determined while Robinson was recording his last CD, 2006’s pop/jazz standards collection Timeless Love. Just as that particular project had been recorded live in the studio with musicians – the first time he had recorded a full LP that way in years – Smokey knew he wanted to record his newly-written contemporary R&B songs in the very same fashion. In fact, he was so inspired by recording the “old school way” that the recording schedule for both projects actually overlapped. “I was having such a ball making that project (Timeless Love),” he explains. “I hadn’t intended on doing them simultaneously because I knew that Timeless Love was the one I was going to come out with. But things were going so well with that project that I said, ‘I’m gonna start putting in some of the original material I’d written for my new CD (Time Flies When You’re Having Fun) and record it this way too.’ I knew I was going to do these particular songs, but I didn’t realize I was going to wind up recording them live like I did with Timeless Love. So I did and we had a ball.” Though he’s the first to acknowledge and appreciate the technologically advanced way that recording for most releases are done today, like the cleaner sound and creative lee-way afforded by ProTools, Robinson was steadfast in his penchant for live instrumentation for this CD. “I think that you still don’t get that feeling that you used to get in the old days when everybody was in the studio together,” says Robinson, whose early Motown classics were recorded in this fashion. “That way was like doing a concert, because everybody was feeding off of each other. It’s just that live vibe.”

Click here to read more on Smokey Robinson…

Check out “Ebony Eyes” by Smokey Robinson and Rick James:

VIA:  SmokeyRobinson.Com

The dictionary defines the popular term “comfort food” as “food prepared in a traditional style having a usually nostalgic or sentimental appeal.” It has been known to have a buffering effect as it soothes the soul and spurs memories of more “comforting” times. If that concept holds up in the kitchen, then it makes perfect sense that it should hold true in the living room with its aural equivalent. While it’s already a known fact that popular songs often connect with listeners in a highly personal way, often recalled alongside life’s more personal moments, only a few distinctive voices in popular music can achieve that same effect with instantaneous familiarity. With his eternally smooth and instantly recognizable falsetto alone – without the strings, bass, guitar or drums – legendary singer/songwriter/producer SMOKEY ROBINSON’s honey-coated voice absolutely is the audio equivalent of comfort food…comfort food for the soul…with soul. In following with the aforementioned definition, the Motown legend’s forthcoming ROBSO Records CD, Time Flies When You’re Having Fun has certainly been “prepared in a traditional style,” while that oh-so-familiar, highly identifiable crooning has an indisputable “nostalgic or sentimental appeal.”

Indeed, the “traditional” element of Time Flies When You’re Having Fun had already been determined while Robinson was recording his last CD, 2006’s pop/jazz standards collection Timeless Love. Just as that particular project had been recorded live in the studio with musicians – the first time he had recorded a full LP that way in years – Smokey knew he wanted to record his newly-written contemporary R&B songs in the very same fashion. In fact, he was so inspired by recording the “old school way” that the recording schedule for both projects actually overlapped. “I was having such a ball making that project (Timeless Love),” he explains. “I hadn’t intended on doing them simultaneously because I knew that Timeless Love was the one I was going to come out with. But things were going so well with that project that I said, ‘I’m gonna start putting in some of the original material I’d written for my new CD (Time Flies When You’re Having Fun) and record it this way too.’ I knew I was going to do these particular songs, but I didn’t realize I was going to wind up recording them live like I did with Timeless Love. So I did and we had a ball.” Though he’s the first to acknowledge and appreciate the technologically advanced way that recording for most releases are done today, like the cleaner sound and creative lee-way afforded by ProTools, Robinson was steadfast in his penchant for live instrumentation for this CD. “I think that you still don’t get that feeling that you used to get in the old days when everybody was in the studio together,” says Robinson, whose early Motown classics were recorded in this fashion. “That way was like doing a concert, because everybody was feeding off of each other. It’s just that live vibe.”

Click here to read more on Smokey Robinson…

Check out “Ebony Eyes” by Smokey Robinson and Rick James:

On January 18, 1958, hockey player Willie O’Ree of the Boston Bruins takes to the ice for a game against the Montreal Canadiens, becoming the first black to play in the National Hockey League (NHL).

Born in 1935 in Fredericton, New Brunswick, Canada, O’Ree was the son of a civil engineer, in one of Fredericton’s only two black families. He began skating at the age of three, and joined a nearby hockey league when he was only five. During five years playing with his older brother on teams in Fredericton, O’Ree became known as one of the best players in New Brunswick. After one season with the Quebec Frontenacs of the Quebec Junior Hockey League, he joined the Kitchener Canucks of the Ontario Hockey Association Junior “A” Hockey League, setting a career-high mark of 30 goals during the 1955-56 season. That year, a puck struck O’Ree in the right eye during a game, robbing him of 95 percent of the vision in that eye.

O’Ree managed to conceal the injury and continue his hockey career, joining the Quebec Aces of the prestigious Quebec Hockey League in 1956. During his second season with Quebec, the Boston Bruins of the NHL called up the 22-year-old O’Ree to replace an injured player. On January 18, 1958, the Bruins were playing the two-time Stanley Cup champion Montreal Canadiens at Quebec’s Montreal Forum. O’Ree took to the ice as a forward with the Bruins’ third line, as the Bruins pulled off an upset 3-0 victory. He didn’t score, or record a penalty, and the historic event took place amid little fanfare.

Click here to read more…

On January 18, 1958, hockey player Willie O’Ree of the Boston Bruins takes to the ice for a game against the Montreal Canadiens, becoming the first black to play in the National Hockey League (NHL).

Born in 1935 in Fredericton, New Brunswick, Canada, O’Ree was the son of a civil engineer, in one of Fredericton’s only two black families. He began skating at the age of three, and joined a nearby hockey league when he was only five. During five years playing with his older brother on teams in Fredericton, O’Ree became known as one of the best players in New Brunswick. After one season with the Quebec Frontenacs of the Quebec Junior Hockey League, he joined the Kitchener Canucks of the Ontario Hockey Association Junior “A” Hockey League, setting a career-high mark of 30 goals during the 1955-56 season. That year, a puck struck O’Ree in the right eye during a game, robbing him of 95 percent of the vision in that eye.

O’Ree managed to conceal the injury and continue his hockey career, joining the Quebec Aces of the prestigious Quebec Hockey League in 1956. During his second season with Quebec, the Boston Bruins of the NHL called up the 22-year-old O’Ree to replace an injured player. On January 18, 1958, the Bruins were playing the two-time Stanley Cup champion Montreal Canadiens at Quebec’s Montreal Forum. O’Ree took to the ice as a forward with the Bruins’ third line, as the Bruins pulled off an upset 3-0 victory. He didn’t score, or record a penalty, and the historic event took place amid little fanfare.

Click here to read more…

The NAACP elected a health care executive as its youngest board chairman Saturday, continuing a youth movement for the nation’s oldest civil rights organization.  Roslyn M. Brock, 44, was chosen to succeed Julian Bond. She had been vice chairman since 2001 and a member of the NAACP for 25 years.

Brock works for Bon Secours Health Systems in Maryland as vice president for advocacy and government relations, and spent 10 years working on health issues for the W.K. Kellogg Foundation. She joins Benjamin Todd Jealous, the 37-year-old CEO of the NAACP, as leader of the 500,000-member organization.

Brock said she plans to focus on pushing for policy changes to eliminate inequality, strengthening the relationship between the national and local NAACP branches and holding people accountable.

“It’s not always what someone is doing to us, but what we are doing for ourselves,” Brock said in an interview.

The departure of Bond, 70, after 10 years as board chairman marks a turning point for the National Association for the Advancement of Colored Pepole.

Bond came of age in the segregated South, helped found the Student Non-Violent Coordinating Committee and was on the front lines of the protests that led to the nation’s landmark civil rights laws. He is a symbol and icon of “the movement,” which was a defining experience for older generations.

Click here to read more…

The NAACP elected a health care executive as its youngest board chairman Saturday, continuing a youth movement for the nation’s oldest civil rights organization.  Roslyn M. Brock, 44, was chosen to succeed Julian Bond. She had been vice chairman since 2001 and a member of the NAACP for 25 years.

Brock works for Bon Secours Health Systems in Maryland as vice president for advocacy and government relations, and spent 10 years working on health issues for the W.K. Kellogg Foundation. She joins Benjamin Todd Jealous, the 37-year-old CEO of the NAACP, as leader of the 500,000-member organization.

Brock said she plans to focus on pushing for policy changes to eliminate inequality, strengthening the relationship between the national and local NAACP branches and holding people accountable.

“It’s not always what someone is doing to us, but what we are doing for ourselves,” Brock said in an interview.

The departure of Bond, 70, after 10 years as board chairman marks a turning point for the National Association for the Advancement of Colored Pepole.

Bond came of age in the segregated South, helped found the Student Non-Violent Coordinating Committee and was on the front lines of the protests that led to the nation’s landmark civil rights laws. He is a symbol and icon of “the movement,” which was a defining experience for older generations.

Click here to read more…

VIA:  AltheaGibson.Com

Born August 25, 1927 in Silver, SC, A right-hander, grew up in Harlem. Her family was poor, but she was fortunate in coming to the attention of Dr. Walter Johnson,
a Lynchburg VA physician who was active in the black tennis community. He became her patron as he would later for Arthur Ashe, the black champion at Forest Hills (1968) and Wimbledon (1975). Through Dr. Johnson, Gibson received better instruction and competition, and contacts were set up with the USTA to inject her into the recognized tennis scene.

A trailblazing athlete who become the first African American to win championships at Grand Slam tournaments such as Wimbledon, the French Open, the Australian Doubles and the United States Open in the late 1950s. Gibson had a scintillating amateur career in spite of segregated offerings earlier in the decade.

She won 56 singles and doubles titles during her amateur career in the 1950s before gaining international and national acclaim for her athletic prowess on the professional level in tennis.

Gibson won 11 major titles in the late 1950s, including singles titles at the French Open (1956), Wimbledon (1957, 1958) and the U. S. Open (1957, 1958), as well as three straight doubles crowns at the French Open (1956, 1957, 1958).

Check out this tribute to Althea Gibson:

Watch Althea win @ Forest Hills 1957:

VIA:  AltheaGibson.Com

Born August 25, 1927 in Silver, SC, A right-hander, grew up in Harlem. Her family was poor, but she was fortunate in coming to the attention of Dr. Walter Johnson,
a Lynchburg VA physician who was active in the black tennis community. He became her patron as he would later for Arthur Ashe, the black champion at Forest Hills (1968) and Wimbledon (1975). Through Dr. Johnson, Gibson received better instruction and competition, and contacts were set up with the USTA to inject her into the recognized tennis scene.

A trailblazing athlete who become the first African American to win championships at Grand Slam tournaments such as Wimbledon, the French Open, the Australian Doubles and the United States Open in the late 1950s. Gibson had a scintillating amateur career in spite of segregated offerings earlier in the decade.

She won 56 singles and doubles titles during her amateur career in the 1950s before gaining international and national acclaim for her athletic prowess on the professional level in tennis.

Gibson won 11 major titles in the late 1950s, including singles titles at the French Open (1956), Wimbledon (1957, 1958) and the U. S. Open (1957, 1958), as well as three straight doubles crowns at the French Open (1956, 1957, 1958).

Check out this tribute to Althea Gibson:

Watch Althea win @ Forest Hills 1957:

Washington, D.C., native Taraji P. Henson didn’t always know that her smoldering charisma and beautiful face would make her a professional actress.

On the contrary, she originally studied electrical engineering when she enrolled at North Carolina Agric & Tech. She later transferred to Howard University, where she attended classes while working as a secretary at the Pentagon, and as a singer and dancer aboard a cruise ship. She eventually changed her academic focus to theater and graduated in 1995.

Henson’s career began with appearances on Homicide: Life on the Street and ER, but it really took off when she was cast in a major supporting role in 2001’s Baby_Boyand 2004’s Hustle_&_Flow, in which she also showcased her vocal talents, singing on the track “It’s Hard Out Here for a Pimp” for the movie’s soundtrack, which took home the Best Song Oscar that year. Henson later moved on to take major roles in Smokin’_Aces and Talk to Me. Henson made the most of her work as the mother of the backward-aging man in David Fincher’s The Curious Case of Benjamin Button, and her performance garnered Best Supporting Actress nominations from both the Screen Actors Guild, and the Academy.

VIA:  YAHOO MOVIES.COM:

Denzel Washington burst onto the big screen with an Oscar and Golden Globe-winning role in the Civil War epic “Glory” (1989). But over the following decade, the matinee-idol handsome actor became the first of his generation’s African-American movie stars to land squarely on Hollywood’s A-list – as likely to be tapped to play a heroic lead as any white actor would have been a shoe-in for only a decade prior.

Likened to Sidney Poitier for his ability to appeal to a multiracial audience, Washington’s grounding force was a critical and audience favorite in historical dramas like “Cry Freedom” (1987), “Malcolm X” (1992) and “American Gangster” (2007), as well in more action-driven dramas such as “The Pelican Brief” (1993), “Remember the Titans” (2000) and “Training Day” (2001). Rising above the “black actor” moniker, Washington not only held a firm position as one of Hollywood’s top dramatic leads well into the new millennium, he also earned industry respect for his filmmaking efforts – directing and producing both “Antwone Fisher” (2002) and “The Great Debaters” (2007).

Washington has been awarded three Golden Globe awards and two Academy Awards for his work. He is notable as the second African Americanman (afterSidney Poitier) to win the Academy Award for Best Actor, which he received for his role in the 2001 film Training Day.

Are you a true Denzel fan?  Take the Denzel Washington trivia quiz below and test how you rate.

1) On with 1980’s television drama was Denzel Washington a regular?

a) E.R.
b) St. Elsewhere
c) Chicago Hope

2) One of Denzel Washington’s early movies was the comedy Carbon Copy but he’s only made three comedies in his long career. The second was The Preacher’s Wife, what was the third?

a) Heart Condition
b) The Mighty Quinn
c) Mo’ Better Blues

3) Denzel Washington’s character was paralyzed in which movie?

a) Virtuosity
b) The Bone Collector
c) Ricochet

4) Denzel Washington won an Academy Award for which movie?

a) The Hurricane
b) Malcolm X
c) Training Day

5) American Gangster wasn’t the only movie Denzel Washington and Russell Crowe appeared in together – what was the first?

a) Virtuosity
b) Fallen
c) Devil in a Blue Dress

6) What was Denzel Washington’s first feature film?

a) A Soldier’s Story
b) Carbon Copy
c) Cry Freedom

7) Denzel was in a movie version of which William Shakespeare play?

a) Hamlet
b) Much Ado About Nothing
c) Othello

Answers:  1) b;  2) b;  3) b; 4) c; 5) a; 6) a; 7) b

Denzel Washington responds to the debate over why some of his roles haven’t been honored by the Academy. Check local listings for airdates of Tavis Smiley on PBS.